Categories
TV

Which is the greatest TV drama ever?

Which is the greater televison series of Deadwood, The Sopranos and The Wire?

The House Next Door hosts a roundtable audio discussion of this question featuring Andrew Johnston (Time Out New York), Alan Sepinwall (The Star-Ledger, What’s Alan Watching) and Matt Zoller Seitz (The New York Times). Needless to say there be spoilers there.

My personal pick would be The Wire as I think Deadwood never got the resolution I felt was necessary it deserved a fourth season and though I think The Sopranos was a fine show it stopped being a must see show around about the fourth season.

They touch upon the effect that starring in such shows will have upon the actors in them and it occurred to me with some dismay that these shows are probably going to be the best thing that they will ever work on. The more seasoned actors like Ian McShane will be able to appreciate this I think but it will be a bit of a comedown for the younger actors for whom this might have been there first big job.

Tags: , , ,

Categories
Reviews TV

Ten Days to War

The BBC has over the past several days been running a daily series of short dramas based on the true events leading up to the war in Iraq. The series is titled Ten Days to War and the episodes can be seen online via that link although as it uses the iPlayer interface it will be restricted to the UK only.

One episode however has been put up on YouTube by the BBC, Why this rush?

A diplomatic battle raging at the UN where the British and Americans are intensely lobbying for a second resolution that will authorise war. They are met by fierce hostility and resistance by countries who want to give the weapons inspectors more time in Iraq.

Patrick Malahide and Tom Conti feature in this story of a diplomatic poker game where the fate of the UN itself is at stake. Director David Belton.

Another excellent episode was These Things Are Always Chaos which stars Stephen Rea as General Tim Cross, the man charged with the mission of Reconstruction of Iraq after the war.

Categories
TV

Lost’s title sequece reimagined 80s style

Categories
Reviews TV

The Wire: Eulogy

Season five of The Wire has come to an end with the episode titled -30-, a ninety minute long finale, which also ends the entire ‘televisual novel’. There will be no more of The Wire other than in our memories now, so raise a glass and lament the end of one of the greatest television shows ever.

What can one say about the conclusion to a show like this? Well I think I’ll let show creator and writer of this episode David Simon gives his own take by way of Jay Landsman’s eulogy at the ‘wake’ held for Jimmy McNulty.

He was the black sheep, a permanent pariah. He asked no quarter of the bosses and none was given. He learned no lessons; he acknowledged no mistakes; he was as stubborn a Mick as ever stumbled out of the Northeast parish just to take up a patrolman’s shield. He brooked no authority. He did what he wanted to do and he said what he wanted to say, and in the end he gave me the clearances. He was natural police. And I don’t say that about many people, even when they’re here on the felt. I don’t say that often unless it happens to be true. Nat’ral po-lice. But Christ, what an asshole.

And I’m not talking about the ordinary gaping orifice that all of us possess. I mean an all-encompassing, all-consuming, out-of-proportion-to-every-other-facet-of-his-humanity chasm — if I may quote Shakespeare — “from whose bourn no traveler has ever returned.” He gave us thirteen years on the line. Not enough for a pension. But enough to know that he was, despite his negligible Irish ancestry, his defects of personality, and his inconstant sobriety and hygiene, a true murder police. Jimmy, I say this seriously. If I was laying there dead on some Baltimore street corner, I’d want it to be you standing over me catchin’ the case. Because brother, when you were good, you were the best we had.

What was initially supposed to be a police drama based upon the experiences of former Detective Ed Burns became a great deal more and ended up as a treatise on the failure of the institutions in small American cities. David Simon says the show could have been set in a number of American cities as they are all experiencing similar problems to Baltimore but The Wire is very much a Baltimore show set elsewhere it would be a very different thing.

The montages in the finales of each season depict the fates and lives of the shows characters but also of the city itself through the ordinary residents of the city. With the overwhelming number of characters in The Wire a good argument can be made that the city of Baltimore itself is the central character of the series.

Although there is a kind of upbeat ending to the series with many of the characters getting the happy ending they may or may not deserve this is undercut by the revelation that for all the efforts and noble intentions to try and fix the system that the failed institutions remain as they are.

Is the City of Baltimore, and therefore the other cities like it, beyond repair?

Categories
Reviews TV

The Wire: 5.10 -30-

In the same manner that was established in season one the last episode of this season is what would usually be the off screen postscript to a typical police drama once the police have caught and charged their suspect with the crime. But of course The Wire is more than just a police drama and this is the last ever episode of the series it is within this postscript that we see the resolution to so many of the storylines that we’ve watching over the years.

We start in the Mayor’s office with Carcetti speechless in apoplexy upon learning the truth behind the serial killer, Kima having gone to Daniels with the truth in the last episode. Aidan Gillen does a great job here and you can almost see the cogs spinning in his head as he grapples with this news and tries to see all the angles on how to deal with it.

There’s no help from Norman Wilson as he’s cackling at the sheer audacity of the detectives involved and the fact that they themselves have traded off the lie of the serial killer in order to strengthen Carcetti’s run for Governor of Maryland.

I wish I was still at the newspaper so that I could write on this mess. This is too fucking good!

Chief of Staff Michael Steintorf takes charge and explains that should the truth come out that they are all fucked. Rawls and Daniels as the senior police officers bear responsibility for the conduct of their detectives, State’s attorney Bond and ASA Pearlman for signing off on the illegal wiretaps and it cuts off at the knees Carcetti’s bid to be Governor. But of course things being the way they are only Daniels and Pearlman would lose everything as their superiors would be hurt but would ultimately keep their jobs through the sacrificing of their juniors.

Freamon unaware that the shit has hit the fan keeps on being the fantastic detective he is and finally through following the money trails uncovers the leak in the Grand Jury it is Prosecutor Gary DiPasquale and through him Freamon gets evidence implicating drug lawyer Maurice Levy. Unfortunately having gotten himself involved in Mcnulty’s idiotic fake serial killer scheme Smooth Lester Cool has ruined any chance he had in following the money trail all the way and taking down the drug lawyers of Baltimore.

Levy and Pearlman have a great back and forth with Levy thinking he has the upper hand with his knowledge of the illegal wiretap because of Herc’s betrayal of his former colleagues and a bit of digging himself. Knowing that the State’s Attorney’s office will not want this to go to trial he thinks he can get everyone off other than Chris who is going down for the unconnected murder of Michael’s stepfather. But Rhonda has ammunition thanks to Lester Freamon and plays the tape of him bribing Gary DiPasquale and with the threat of this one party consent call and DiPasquale’s cooperation coerces him into a deal that sees everyone but Marlo go down for the crimes they are charged with including the 22 bodies in the vacants.

So Marlo goes free as long as he stays out of the game otherwise the charges that have been shelved will come back and ever the business man he buys his way out of the game by selling off his connect with the Greeks for a cool $10 million.

The truth of the serial killer is agreed to be hushed up by everyone that knows of it in the police, state’s attorney and mayor’s offices, but Lester Freamon and Jimmy McNulty are not allowed to do real police work ever again at least nothing that would result in them having to go to court. I wonder if they think that all this shit was worth it well at least they are not likely to do jail time as there is nobody that really wants this all to come to light.

Great to see that Roland Pryzbylewski has found an environment to thrive in and now with beard is making a teacher respected by the inner city kids of his school even though the reason for Mr. Prezbo’s appearance is so that Duquan can lie to and beg money off him. It’s a damn shame as I believe that had Dukie asked for real help Prez could have sorted him out and got him back into school even if it did mean the horrors of the group home that Randy ended up in surely that’s better than living on the streets as a junkie.

It is the power of the writing and the fantastic acting of Jermaine Crawford that makes Dukie’s fate so painful. And as Dukie has become the new Bubbles his former cohort Michael has indeed taken up the mantle of Omar and become a smart talking stick-up man or perhaps stick-up boy.

Shit! You just a boy.
That’s just yer knee!

Yet despite the demise of Omar and thus the likely fate of Michael I was pleased to see what he’d become and there’s a sense that this was a happy ending for him.

A theme of the show has been about the cycles of life and society and that even though things change “Shit’s as it ever was!”, the players just change. And so it goes with Marlo who was for the past couple of seasons the new Avon Barksdale but is now the new Stringer Bell or at least what Stringer would have been had he survived to take that final tiny step out of the game. Yet I wonder if Marlo can ever feel comfortable in his new role post-game and the scene where he takes back a corner unarmed and wearing his smart new suit from a couple of corner boys that don’t even recognise him underscores this. In a way Omar has beaten Marlo as he’s become an urban legend but Marlo ‘my name is my name’ Stanfield is forgotten in a very short space of time.

Jimmy’s serial killer scheme has spawned a copycat or at least someone who wanted to divert attention by making his victim through tying a ribbon round his wrist look like a victim of the serial killer. The killer is one of the other homeless men and is not really fit to stand trial. A bit deus ex machina but it gives a credible reason for the department to close the serial killer case and with that final bit of business done both Freamon and McNulty take retirement.

Lester Freamon goes out with 32 years of service and so will have a very tidy pension, he has his model furniture sideline that he can now devote more time to and he has the love of a good woman Shardene. Despite not being able to go all the way with the money trail and not bringing down Marlo I think he can die happy.

Jimmy McNulty gets a great send off and mock wake at the Irish pub they frequent plus a fine eulogy by his Sergeant Jay Landsman. He goes out with only 13 years service and so ends up without a pension I guess he couldn’t stand to work in the pawn shop or another place in the department where he was likely to do no harm for the seven years required for his 20 years and full pension. So not as happy an ending as Lester but it looks like he may be able to salvage his relationship with Beadie and being out of the police will mean he’s no longer as self-destructive as he was. As Jay says Jimmy was natural police but what an asshole. “What the fuck did I do?”. A helluva lot Jimmy, a lot of good policing but also a bunch of fucked up shit. I’ll miss ya Jimmy.

With all the shit in the department dealt with Daniels thinks he can finally get on with turning the department around no more easy arrests just to improve the stats. But of course shit’s as it ever was and Nerese Campbell the likely new mayor should Carcetti become Governor somehow gets the dirt on Daniels from his past and declares that he either gets in line with her wishes or he’s out. So he leaves with his honour and puts his law degree to good use and Nerese gets the compliant Commissioner she wants in the form of Stan Valchek.

Bubbles has been one of the great characters of the five seasons of the show and having reconciled his feelings somewhat over his role in the death of Sharrad he gets the ending that he does so richly deserve. Mike Fletcher of the Baltimore Sun has been trailing Bubbles for a while and has now written a wonderful portrayal of his life both the bad and the good. Given a copy to read before publication Bubbles is in two minds about it as it is an incredibly honest picture of him and as he says to his sponsor Waylon he ain’t worried about the bad being out there and Waylon retorts are you worried about someone calling you good? Waylon then hands him a piece of paper that he’s been carrying around for a long time with a quote from ‘Fonzie Kafka’.

You can hold back from the suffering of the world. You have free permission to do so, and it is in accordance with your nature. But perhaps the holding back is the one suffering you could have avoided.

This quote I feel is the crux of what the creators of The Wire were trying to do with the show. They embraced the suffering of the world and examined it by way of a fiction in a way that they believe the news media have failed to do.

So finally we get to the contentious portrayal of the Baltimore Sun in season five of the show. Initially I felt that perhaps David Simon was too close to this issue and had an axe to grind with particular former senior editors of the newspaper. In addition I thought that the Paper storyline seemed far too divorced from the rest of the show in the way that the Port, the School and the Hall hadn’t been in previous seasons. I have changed my view somewhat now I’ve seen all ten episodes.

The creators have always had an axe to grind about the institutions they have examined and laid bare in the show and so the newsroom is no different. I think the failure to develop the characters of Whiting, Klebanow and the other minor characters in comparison to their equivalents in the police department is primarily down to the fact that we’ve had 50 hours more of time over 4 seasons on the police characters. I wish that we had some of the newsroom characters in previous seasons particularly Fletcher as he has turned out to be quite a significant character at the end of this season and yet he still feels underdeveloped. Roger Twigg as the police reporter would have slotted in naturally somewhere in previous seasons and by having established characters at the Paper we would have had some fixture from which to get to know the others.

I think the disconnect between the Paper and the rest of The Wire is deliberate or at least I hope it was as it does work as a way of illustrating the purpose of the season i.e. that the news media are not covering the stories that matter. The Sun gets the big story of the season, the serial killer, and Templeton wins a Pulitzer for his coverage. But the Sun has missed all the important stories of the season, the political machinations and corruption, the significance of the murders of Proposition Joe and Omar Little, and of course the fact that the serial killer was fake and merely the creation of a couple of rogue detectives. If Templeton had been a better reporter and not gone down the route of embellishing his stories until it got to the point where he was so caught up in the lies upon lies that he needed to keep going and if the paper had kept Roger Twigg the veteran police reporter then they might have finished up with the real story of the serial killer.

However that seems to be the way of the world as like the police department and the city council it becomes a numbers game. The newspapers are suffering from budget cuts as sales fall and inevitably they will be predominately printing the easy stories as they will not be able to allow a reporter the time to get to the meat of a story and if they’ve laid of all their veteran reporters then they might not even have the necessary inside contacts to get the scoop.

With the fates of Gus and Alma we see the parallels yet again withe the rest of the world of The Wire troublemakers that undermine the games that the bosses play will get demoted or sidelined even if they are on the side of what is right. At least thankfully unlike the street this doesn’t mean they get offed. The cycle of life is present again with Fletcher cruising of the acclaim of his ‘beautiful’ piece on Bubbles into Gus Haynes’s chair as the new City Editor.

Back to the police and we see Ellis Carver continue in his deserved rise up the ranks as he is promoted to Lieutenant, he’s come a long way since the early days of rousting corner boys with Herc and is now very much real police in the mould of Bunny Colvin or Daniels. Leander Sydnor has somehow come out of the mess of the serial killer thing with no dirt on him at all thanks no doubt to his mentor Lester Freamon and now seemingly is occupying the McNulty role of doing the end run around the bosses and going to Judge Phelan. Hopefully more of Lester than Jimmy has rubbed off on him and lacking McNulty’s self destructive streak I’m sure Sydnor will be a real damn excellent detective.

To the street and we see Slim Charles finally step up and give Cheese the fate he so richly fucking deserves, it was a beautiful unexpected moment and oddly also a feelgood moment in the way that the equally unexpected killing of Omar by Kennard was gut wrenching. The montage at the end sees Kennard being arrested with Detective Crutchfield in the background so the pint sized assassin seems to have got his just desserts too.

Finally the feel good moment of the entire season was seeing Reginald aka Bubbles walking up the stairs out of the basement to eat dinner with his sister and her family. A well earned beautiful simple moment.

Categories
Reviews TV

Lost: 4.05 The Constant

Yet another enigmatic episode title following last week’s Eggtown and the previous week’s The Economist, but the meaning becomes clear halfway through the episode. This was truly an awesome episode and ties with The Economist as being the best hour of television of the year. I anticipate writing that again for forthcoming episodes as Lost in season four is coming close to knocking The Wire off it’s top spot on the podium.

A time travel story which doesn’t have any paradoxes and doesn’t retcon previous storylines that we know about but in fact serves to fill in the gaps and explain past events.

Penny and Desmond’s phone call got me all misty eyed it was beautiful and played so well.

Confirms time-shift in transiting to and from the island although only physically as electromagnetic waves are unaffected so radio communications are real time. Does this explain why Desmond was in prison because he went AWOL during this period.

Does it explain Jacob? Is he trapped between two times?

Charles Widmore bought at auction the journal of the First Mate of The Black Rock. He definitely knows about the island and did almost certainly set Desmond up somehow so he’d get stranded there during the yacht race.

Categories
Comics Reviews TV

Smallville sufferance

I don’t know why I continue to watch Smallville as it just pisses me off that there seems to be far too little movement towards Clark becoming Superman. I guess the producers figured that the endpoint of the show would be when he finally took up the mantle that was his destiny.

But it’s dragged on for six and a half seasons now, and he’s in his early twenties it’s about time that the character got his journalism degree ( the whole Clark and the gang go to college thing was dropped pretty quickly), stopped bumming around on the family farm and started frigging flying.

Categories
Reviews TV

Review: Ashes to Ashes

One of the stand out shows on the BBC of the last few years was Life on Mars (BBC|Wikipedia), which saw DCI Sam Tyler played by John Simm waking up in the year 1973 after being hit by a car in 2006.

Am I mad, in a coma, or back in time?

The first episode of Ashes to Ashes (BBC|Wikipedia) the sequel series was screened last night and though I thought it was good fun and I enjoyed it a great deal at the moment I feel it isn’t quite in the same league as Life on Mars.

I liked the mystery and ambiguity over Sam’s predicament in Life on Mars but the final episode of that is like the first page of Ashes to ashes and it’s pretty clear that Alex is gravely injured from the gunshot and is probably experiencing the alternate universe of Gene Hunt (based on the report of Sam Tyler’s that she’d just read) as she dies.

With the Geneverse being clearly not based in reality from the outset in this show they’ve decided to go all out and create a bit of a pastiche of Miami Vice albeit set in London. Hopefully the Miami Vice idea of flash cars, speedboats and automatic weapons doesn’t survive beyond this first episode as fun as it was it was frankly a bit rubbish.

Categories
Reviews TV

Lost: 4.02 Confirmed Dead

Episode two of the new season continues at the same heights of quality established in the season three finale and begins with a great WTF moment – the discovery on the ocean floor of the wreckage of Oceanic 815! Then cut to Daniel Faraday the guy that parachuted onto the Island as the end of the last episode inexplicably crying at having seen the wreckage on the TV news. Presumably this is a flashback.

Locke is acting like Colonel Kurtz – nice one Sawyer.

I think Ben is more of a manipulator than an outright liar as he mostly does tell the truth but spins it in such a way as to make people do what he wants them to do. He is pretty much several steps ahead of anyone else and so it’s never clear what his motives or intentions ultimately are.

It’s only a matter of time ’til he gets us Johnny and he’s already worked out how he’s gonna do it.

Again Sawyer’s perception of others is spot on in my opinion.

Faraday proves to be just what the viewers are seeking as he’s pretty forthcoming as to answering questions and seems pretty knowledgeable. Confirms that the freighter isn’t there to rescue them but is cut off from revealing what their primary mission is by another new character Miles Straum, Ghostbuster. Lost has skirted near to the supernatural before but Miles’s ability to converse with the dead is right in that zone.

Meanwhile the third of the people from the freighter Charlotte Staples Lewis is out of the frying pan and into the fire when having landed badly from the helicopter she’s now discovered by Locke’s party. In flashback we’ve seen her discover in Tunisia a Dharma collar round the skeleton of a polar bear, evidence of multiple Dharma sites round the globe or some freaky dimensional rift thing. “You’ve been living here this entire time?” Is it just me or does her incredulity here suggest that in the outside world a greater period has passed than the 90 days that have passed on the Island.

This might tie up with the fact that it doesn’t seem long enough for Frank Lapidus to have fallen to being a pilot for a Caribbean tours company from having been an airline pilot for Oceanic. But then as he was almost the pilot of Oceanic 815 he might have felt survivors guilt and quit immediately.

Bullet proof vest, guns and Naomi’s “Tell my sister that I love her” indeed being a code heavily suggests that the freighties came expecting trouble. But trouble from whom? They’ve come for Ben and if they have any knowledge of him and the Others then it seems like a wise precaution. But none of them were particularly surprised by the Oceanic 815’s survivors presence on the Island and it has to be remembered that they in their encounters with the Others have proved themselves to be dangerous also.

Categories
Reviews TV

Lost: 4.01 The Beginning Of The End

So Lost season four starts and we’re straight back to a recap of events on the island from season three’s finale.

– Not Penny’s boat. Charlie sacrifices himself in order to pass on this most important message to Desmond.
– Locke kills Naomi. After his strange encounter with Walt he’s under the same impression that Ben is that the boat people are not who they say they are.

Great fake out with Hurley’s Camaro crashing through the pile of mangoes as we are no longer on the island we are indeed in another flash forward, but Jack seems less far gone so it would suggest that it’s not quite as far in the future as season three’s finale was.

I’m one of the Oceanic Six!

Which begs the question which six people made it off the island? Jack, Kate and Hurley for sure, but as Kate is a fugitive perhaps her presence off-island in the future is not widely known. So Kate cannot be confirmed as one of the six.

The detective that’s interviewing Hurley is Ana-Lucia’s former partner and has no idea that she survived the crash, Hurley claims not to have known her at all. The implication here is that the outside world thinks that other than the Oceanic Six everyone on the plane died in the crash and for some reason the six that made it back are not telling the truth.

Hurley’s having visions and wants to return to the nuthouse. Charlie is telling him that ‘They need him’, which they is it the other survivors who are left on the island?
Hurley’s cannonball is one of unparalleled joy and by the look of the flashforward is the last moment of happiness for poor Hurley. Not sure why he thinks all his money will be gone upon his return though as he’s only been missing a relatively short period of time and so couldn’t have been declared dead yet.

Naomi’s not dead!

Matthew Abaddon looks evil from the very moment that he smiles and waves at Hurley and learning what his name is just confirms that suspicion. Though he claims to be a lawyer for Oceanic I have a feeling he’s not but if not then who does he work for. No business cards just seems like a signal to the audience that he ain’t what he claims to be surely because all the major players certainly have the resources to fake a few business cards. “Are they still alive?” Who does he mean?

Given Hurley’s character I’m sure the only reason he’d not tell the truth about the crash would be so he could protect those who were left behind on the island.

Nice caring moment with Sawyer checking on Hurley to make sure he’s okay but the Hurley gets good and lost on the trek from the beach and we get some spooky shit with the whispers in the jungle and Hurley encounters Jacob’s cabin. Is that Christian Shephard in the rocking chair?

“Tell my sister that I love her” is surely as coded message from Naomi to the freighter for “These crazy Oceanic survivors have killed me!”

How does Locke know about Charlie’s message and death? Has he been tracking the beach party and eavesdropping on them.

Charlie finally catches up with Hurley at the nuthouse and he isn’t merely a hallucination as another patient saw him. He is dead but he’s also here. Is Charlie a creation of the Island? And if he is then the Island has an ability to project well beyond itself. He has a message for Hurley he needs to return.

Jack would have killed Locke had the gun been loaded.

Powerful moment when Hurley rejects Jack’s leadership to join Locke and in doing so he initiates the split in the group and Sawyer joins Locke too. This is interesting as we know that members of both groups make it off the island but it is only Jack’s that intends to meet with the people from the freighter.

The final flashforward reveals a lot as Jack says he’s thinking of growing a beard and at the moment does not want to ever return to the Island even though Hurley does since receiving Charlie’s message. So this flashforward takes place before that of the season three finale and consequently something significant has to happen to Jack other than the growing of a beard to see him start drinking heavily again and to want to return to the Island.